“Architecture is the will of an epoch translated into space.”
– Ludwig Mies van der Rohe
Some homes don’t just shelter, they shape. These five houses didn’t follow trends, they created them. They questioned what a home could be, and their bold answers still influence how we live and design today.
In this post, I’ve reinterpreted each of these architectural game-changers through the Freezketch lens: minimalist linework, intentional expression, and quiet power.
Let’s explore.
1. Villa Savoye
Le Corbusier, 1931 – Poissy, France
This isn’t just a house—it’s a manifesto.
Villa Savoye embodies Le Corbusier’s Five Points of Architecture: open floor plan, pilotis (columns), free façade, horizontal windows, and roof garden. Every part is functional, but also poetic.
My sketch focuses on weightlessness—the home elevated, floating like an idea more than a structure. The voids are as important as the lines.
“The house is a machine for living in.”
2. Fallingwater
Frank Lloyd Wright, 1939 – Pennsylvania, USA
Designed to rest on the waterfall rather than face it, Fallingwater fuses human habitat and nature into one continuous gesture.
In my sketch, the bold cantilevers become the signature. Horizontal planes slice through space, but the whole form feels organic—like it grew there.
“No house should ever be on a hill. It should be of the hill.”
3. Farnsworth House
Ludwig Mies van der Rohe, 1951 – Illinois, USA
This house whispers. A pure glass box elevated above the earth, the Farnsworth House removes everything unnecessary.
I sketched it with restraint: thin lines define the volume, while expressive details emerge in the negative space. Silence becomes design.
“Less is more.”
4. Glass House
Philip Johnson, 1949 – Connecticut, USA
Often compared to the Farnsworth House, the Glass House is a minimalist expression of transparency and control. It’s theatrical and philosophical—open yet grounded.
My sketch isolates the geometry and leaves just enough to suggest the void. The interior becomes part of the exterior. It’s as much about reflection as it is about form.
5. Barcelona Pavilion
Mies van der Rohe, 1929 – Barcelona, Spain
Commissioned for the 1929 International Exposition, the Barcelona Pavilion is pure spatial choreography. Planes glide. Marble shimmers. Light defines the flow.
In my version, the lines are weightless. The horizontal planes slide past each other, creating space instead of walls. The iconic pavilion becomes a rhythm of restraint.